Dr. Robert H Lustig Is A Professor Of Pediatrics In The

Dr. Robert H Lustig is a professor of pediatrics in the division of endocrinology, in the California University. He lives in San Francisco with his with his family. He is also a director of the weight assessment for the teen and child health program. He has basic clinical training on the development of hypothalamic, function and anatomy. He worked St. Jude children’s research hospital in Memphis. He has explored the roles of fructose as a mediator of chronic diseases and continued consumption of the calorie. He has mentored some pediatric endocrine fellows and trained a lot of professionals. He also consults for several childhood obesity advocacy groups. He has developed a strong following in the nutrition and health world†¦show more content†¦Fruit juices are usually perceived as healthy. However, it is loaded with a lot of sugar and calories just as the soft drinks. This is because sometimes the manufactures are not honest with what’s in their products. They are not health because they lack fibers despite having vitamins c, antioxidant and a lot of sugar. The sugar goes to the liver quickly making it take a lot of fructose than it can handle. This results into some other fructose being converted into fats. Some fats lodge in the liver and contribute to fat build up and insulin resistance. This juices therefore due to its high sugar content causes obesity and weight gains. It also increases the risks for getting type 2 diabetes. High fructose corn syrup is a sweetener made of corn starch that converts glucose into fructose. It is used because of its sweet nature. It metabolizes and impacts satiety similar to sugar. High fructose corn syrup is just the same as sucrose. They are equally bad and dangerous. Therefore soda should just be taxed because kids are taking it at the high rate and the obesity cases are increasing. Fructose is so poisonous by itself and it, not just the calorie issue, it has health problems. This is because of exce ssive consumption of high fructose syrup and sugars. Before food processing was discovered, people used to get their fructose from the fruits and vegetables. And this meant that they used more just fructose but

Journey Speech Free Essays

My baby sister Is now 5, my younger brother now 14, and me, I’m 16,’ the scenery and their ages have changed again. With these physical changes it also changes the emotions in the characters. The protagonist doesn’t need to force her smiles towards her little sister because she can see and understand how simple her life is and that ‘she has no worries, no regrets. We will write a custom essay sample on Journey Speech or any similar topic only for you Order Now They make it to the end of the block and the protagonist takes both of her siblings and takes them off the street they had been walking and into the world with her as their protection. She is able to do this with no qualms knowing that they wont have to go through the same ordeal that she did and she will always be there for them. Through this physical representation of a virtual journey it shows how a journey can develop through a metaphysical state and not be based on finding a specific destination but instead a safe place. Year of Wonders† focuses on the emotional and moral development, therefore making it a spiritual based Journey. This Is known to the reader as the mall charter, Anna Firth, has no need to continuously travel to perform her journey. Anna is living in a town stricken with the bubonic plague, as they have isolated themselves to prevent the spread. They are unable to call upon others to assist in the treatment of the ill and just use others abilities to ensur e the towns survival of the plague. As lives start to be taken by the plague, many of the townspeople believe It is to do with witchcraft. Two characters, Aunt and niece, Me and Nays Goodie, have always been able to help the town with herbal remedies and have been the local midwives, but after their deaths Anna is convinced by Eleanor Employing to assist a women In labor and she 1 OFF many situations which all start to slowly influence her thoughts and change her as a person. She starts to become stronger and not Just be a young widow, who has also lost both her children. She starts to fight for other people in the town and help them through hard times. Although she isn’t able to do this all unscathed, she is unable to understand Why did He raise us up out of the clay, to acquire good and expedient skills, in such extremity, and then send us back so soon to be dust when we yet had useful years before us? Such in the case as Maggie and George Vicars. Anna makes herself a tincture’ from the poppy she had stolen from Eleanor to help with the anguish and she was able to have pleasant dreams. Anna and the town continue to be affected by the plague and many more die, Anna tending many in their deathbeds. Anna and Eleanor also assist Merry. Anna slept well that night, feeling for once that she has accomplished something that has turned out right. After many more deaths and obstacles the plague has stopped affecting the town and the people are told they are no longer quarantined. At this meeting Anna’s stepmother Para is hysteric with the loss of her last child, Faith. She was ‘clutching the maggoty remnant of her daughter’s corpse. ‘ Implosion, Para and Eleanor enter a embrace, trying to calm and comfort Para, Faith’s head comes apart from her body and Para lashes UT and slits Liner’s throat and stabs herself, leaving Anna with no family and one of her closest friend’s gone as well. Eleanor asked for Anna to look after her husband and through this relationship Anna is able to experience a physical intimacy she has longed for for quite some time. This intimacy is something that has helped Anna start to feel better but it is short lived as she learns that parts of what she thought were true about Eleanor and Michaels relationship were actually lies and is repulsed by him. As Anna is asked to help with the birth of a bastard child from the Bradford Emily, she finds herself haggling with Elizabeth about receiving money to take the child and leave this city. There are many events that influence Anna change as a person but the biggest chance for her is not Just a spiritual one. She makes the move to Venice, with the Bradford child, and settles there missing some aspects of her old town but feeling safe and happy with her two daughters, feeling that she is now at home. Oh, The Places You’ll Go! Shows how a person is able to be in control of their own physical and emotional Journey. This is presented to the reader through the narrator stating YOU are the guy who’ll decide where to go. ‘ How to cite Journey Speech, Papers

Deception in Hamlet free essay sample

This central theme is expressed throughout the play in three major forms: the fear of being deceived, the act of deception, and the ultimate result of the deceptive act. The first facet of the deceiving under-tone in Hamlet is the fear of being deceived. On the third night, after two consecutive appearances of the ghost, Horatio joins Francisco, Bernardo, and Marcellus on the evening watch. Horatio scoffs at their stories of the ghosts appearance, Tush, tush, twill not appear (1. 1. 35). Horatio is a scholar and a sensible man who needs to see things with his own eyes before he will accept them. Therefore, once the ghost appears to him, he quickly changes his viewpoint. He informs Hamlet of the ghosts likeness to his dead father and warns him of where the ghost originates: Be thou a spirit of health or goblin damned, Bring with thee airs from heaven or blasts from hell (1. 4. 44). Horatio fears that the ghost might be a deception, a devil sent in a pleasing shape to coax Hamlet into wicked action. Horatios fear is justified, since during the Elizabethan era it was believed that ghosts were either Heavenly or Satanic, and a man of knowledge like Horatio should take such into consideration. Horatio is not the only character who fears deception. Claudius fears that Hamlets antic behavior might be some kind of deception. To learn the truth of Hamlets actions, Claudius entreats upon Rosencrantz and Guildenstern (two of Hamlets oldest friends) to investigate the situation: Some little time; so by your companies / To draw him on to pleasures, and to gather / So much as from occasions you may glean, / Whether aught to us unknown afflicts him thus / That, opened, lies within our remedy. (2. 2. 14-18) Claudius, at this early point in the play, is slightly nervous of Hamlets state of mind. Although Hamlet has not yet done or said anything that distinctly proves that he knows of Claudius wrongdoing, Claudius is still suspicious. Ironically, he is worried about being deceived by Hamlet, so he sends two of his friends to spy him to learn what is bothering him. Laertes expresses a further example of the fear of deceit in his conversation to Ophelia regarding Hamlet: His greatness weighd, his will is not his own; / For he himself is subject to his birth. / He may not, as unvalued persons do, / Carve for himself, for on his choice depends / The safety and health of his whole state, (1. . 20-24) Laertes fears that Hamlet is not sincere in his love for Ophelia. He tells her that since he is of royal blood, he is not free to choose his own wife. The court and other royals must decide who is the best choice to be queen, for the safety of Denmark. Hamlet knows this to be true, and therefore, any sign of love that he gives her must be false. Polonius agrees with Laertes’ op inion of the situation, thus he forbids Ophelia to see him anymore. Both men feel that they are protecting Ophelia from possible deceit by Hamlet. It is the fear of being deceived that is so prevalent in Hamlet, as characterized by Horatio, Claudius, and Laertes Polonius that leads to further deceptive action. It is ironic that the characters who fear deception are the very ones who doll it out so freely. One such character who uses deceit often as a means of investigation is Polonius. In the third scene of the second act, Polonius entreats upon Reynaldo to go to Paris to learn as much as he can about Laertes. He tells him to pose as a friend of Laertes to find out if he is behaving as a gentleman (i. e. ot visiting bars, gambling, drinking wildly, etc. ) This example exposes Polonius darker side, as one who would spy on his own son. However, this is not the only instance of his darker nature. When asked by Claudius and Gertrude why Hamlet is acting so strangely, he tells them that Hamlet is in love with Ophelia, but since she will not have him, he is in a state of love-sickness: And he, repulsed, a short tale to make, / Fell into a sadness, then into a fast, / Thence to a watch, thence into a weakness, / Thence to a lightness, and, by this declension, / Into the madness wherein now he raves, (2. . 154-59). He continues his conversation with the King and Queen, in which he proposes a plan to prove whether or not his theory is true. He proposes that Claudius and he hide behind a tapestry in the main hall the next time Hamlet and Ophelia meet to determine whether his madness is out of unrequited loved or not. This example again exemplifies Polonius darker, deceitful nature, because he is willing to spy on his own daughter during a meeting with the man that she loves. Another character who plans and executes many acts of deception throughout the play is Hamlet. His antic disposition is an act that he puts on to allow him to get into a situation whereby he might learn the truth about his fathers death and the ghosts claims. Also, Hamlet engineers the play-within-a-play to catch the conscience of the king, (2. 2. 634). Ironically, plays are fiction, yet by means of this fiction Hamlet is able to determine Claudius guilt, and thus divide the fiction from the fact. The acts of deception by Polonius and Hamlet are in contrast to their fear of being deceived and help to advance the plot. There are three main results of the many deceptions in the play. First of all, Gertrude learns the truth about Claudius. Gertrude is guilty of adulterous lust, but she did not play any part in the plan to kill her late husband. In fact, she does not become fully aware of Claudius guilt until her final breath utters the warning to Hamlet, O my dear Hamlet! The drink, the drink! I am poisoned. (5. 2. 341). She knows Claudius is guilty because she realizes that the poisoned drink was meant for Hamlet. The second major result of deception is the madness that overcomes poor Ophelia. After her fathers death, Ophelia loses track of her senses. She dances about the castle, singing carelessly, giving flowers to everyone that she sees. At one point in her merriment she sings of Polonius death: And will he not come again? No, no, he is dead; / Go to thy deathbed; / He will never come again, (4. 5. 213-17) Great pathos is felt for Ophelia because her madness unlike the supposed madness of Hamlet is true. She goes mad because the men in her life treat her very poorly. Polonius forbids her to make her to see Hamlet, and yet he uses her as bait to spy on Hamlet. She believes that Hamlets madness is the result of his love for her, which makes her feel even more distraught, that she is to blame for the future kings imbalance. Once Polonius dies, she is left with no one (Laertes is away in Paris and Hamlet is showing no interest in her) and it is this sudden abandonment that leaves Ophelia in a state of madness. She is a tragic figure because she is the victim of the deceptive schemes of the men in her life. The third result of the deceptive theme in the play is Hamlets revenge. Once Hamlet runs Claudius through, his vow to his fathers ghost is fulfilled. The truth is finally revealed. Hamlets feigning madness has allowed him to get into a situation wherein he can exact his revenge and reveal Claudius for the fraud that he is. In this final scene, everyone who has anything to do with the plot is killed, thus allowing a new chapter to begin in Denmark. Hamlet is successful in his scheme, and through his great act of deception, the truth is revealed. The results of the deceptions in the play are both tragic and insightful. Truth is sometimes locked behind a door that can only be opened using the key of deception. In fact, in Hamlet, the theme of deception is prevalent. Furthermore, deception is used as a method of investigation. Many of the characters use deceit in order to learn the truth about other characters. This deceptive theme is expressed in three stages: the fear of being deceived, the act of deception, and the ultimate result of deception. The only truth that is learned through the play is by means of deception. It is ironic that the characters who fear being deceived are the ones who deceive the most.